There is good reason to couple Robert Schumann (1810-1856) and Johannes Brahms (1833-1897) in the same concert. The older German composer and his wife Clara were mentors to the young upstart, and ...

We hear Clara Schumann performed on clarinet, a ferocious performance of Rachmaninoff, and a moving new cello work inspired by the pandemic. We also meet an 18-year-old who loves the euphonium so much ...

"Aschenmusik" translates as music from the ashes, and Heinz Holliger's Romancendres was inspired by the fact that Clara Schumann burnt her husband Robert's late Cello Romances 37 years after his death ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. The internationally lauded American pianist Michael Stephen Brown, hailed by The ...

Swiss composer and oboist Heinz Holliger has never actually heard one of the pieces that most deeply affected him as an artist. Holliger’s new disc, “Aschenmusik,” contains the second recording of his ...

Despite his love of the cello Schumann left little music for it, but there are abundant arrangements of pieces he wrote for other instruments. This disc demonstrates how “at home” Schumann sounds on ...

A teen cellist plays an electrifying arrangement of Monti's Czardas and speaks about organizing his own concert series to benefit a special Boston-area music program. We also meet a trio of close ...

Our programme takes inspiration from two pianists - Jane Austen and Clara Schumann - and explores the different roles music played in their lives. The first part will be a selection of pieces by ...

This week, Donald Macleod explores the lives and music of Clara Schumann and the extraordinary circle of composers and musicians she moved in. Today, the young Clara meets Fryderyk Chopin. Clara was ...

The cello and Romanticism are inextricably linked, with this expressive and soulful instrument giving rise to some of the era's greatest concertos. Julius Klengel: Concerto for cello and orchestra No.

Performances in N.Y.C. Advertisement Supported by Two works by these composers have been marginalized in classical music, but they were never forgotten, as their histories show. By Sarah Fritz and A.