The Kennedy Center premieres a new ending for one of the world's most famous operas on Saturday in Washington, D.C. The opera is Turandot, and its ending has always been, shall we say, problematic.
Performances in N.Y.C. Advertisement Supported by The history and curiosity behind these operas, both set in Asia, complicate often simplistic criticisms of borrowing and stereotyping. By Zachary ...
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