The unbounded success of Greta Gerwig’s “Barbie” movie this summer followed by the Christmas season’s many stagings of “The Nutcracker,” danced to Tchaikovsky’s 1892 score, combined to spark my memory ...
Performances in N.Y.C. Advertisement Supported by A tour through five cases in which Tchaikovsky’s classical score has been taken up by jazz legends and misguided filmmakers. By Hugh Morris “The ...
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