In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and farcical.

The subject of numerous controversies, she is defined by ambiguity, welcoming outcasts to the Church and provoking more imaginative approaches to faith.

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...