Today’s spotlight is on Jerry Goldsmith’s score for The Blue Max (1966), one of the rare and brilliant examples of fugal counterpoint in film music. In the famous aerial sequence, Goldsmith develops a full orchestral fugue: the subject is presented clearly, then pursued by different orchestral sections in a thrilling contrapuntal chase. The effect is both intellectual and cinematic — a perfect marriage of Baroque-inspired technique and the drama of 20th-century film scoring. This passage shows h

696K views · 1.1K reactions | Happy to look at it, but too scared to go on it! Short video clip of the thrill ride adjacent to the Scott Monument. Have you been on it? Would you go on it? Or are you content with looking at it? | Edinburgh Spotlight | Facebook

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2.8K views · 32 reactions | DJs playing for social media rather than the crowd? That's the instagram effect. Find out more on how to be a superstar DJ in our latest episode of Twist with David Guetta and Amelie Lens ⬇️ https://www.arte.tv/en/videos/110329-006-A/twist/ | Arte | Facebook